Dmitry Wild: The Sonic Sorcerer of Rock ‘n’ Roll

The inimitable Dmitry Wild!

In the kaleidoscopic world of music where legends are born from the raw energy of the streets, Dmitry Wild emerges as an electrifying anomaly, a true virtuoso of the rock genre whose guitar strings weave tales of rebellion, love, and the relentless quest for the American Dream. Born from the fusion of diverse cultural backgrounds, Dmitry’s music is a vibrant tapestry, interwoven with the threads of his Russian heritage and the gritty charm of New York City.

Dmitry Wild is not just a musician; he is a phenomenon. His journey from the classical guitar, which he initially loathed due to a professor with overly long nails, to becoming an icon of garage rock, is nothing short of a cinematic odyssey. His early days of protest songs in Moscow, followed by his soulful immersion into the Californian surf rock scene, have all sculpted him into the multifaceted artist he is today.

The Man Behind the Music:

  • Musical Alchemy: Dmitry Wild is the master alchemist of sound, blending the vintage rock of the ’70s with the raw, unhinged energy of punk, all while nodding to the psychedelic vibes of the garage. His music is a cocktail of influences – think The Doors meeting The Black Keys, all while sipping on The Cramps’ raw energy, with a dash of gypsy soul.
  • A Survivor’s Tale: His life reads like a rock ‘n’ roll epic. Surviving 9/11 due to a serendipitous late band practice, Dmitry’s life has been a series of near-misses and serendipitous encounters, each adding a layer to his music’s depth. His move to Hudson, NY, during the global pandemic wasn’t just a change of scenery but a rebirth, leading to his solo trajectory where he solidified his role as the sole writer, composer, guitarist, and performer.
  • The Spells of Wild: Under the moniker “Dmitry Wild and The Spells,” his live performances are not mere concerts but theatrical, mystical experiences. Each show is an invitation to dive into the heart of rock where every note played is a spell cast by Dmitry, enchanting audiences with his swagger, individuality, and an unapologetic love for the craft.
  • A Legacy of Lyrics and Literature: Music is but one facet of Dmitry’s creativity. His book, Why Be Normal?, recounts a raucous road trip, symbolizing his own search for identity and meaning in music. His poetry and songwriting delve deep into human experience, often reflecting on social issues, personal revolutions, and the eternal dance between chaos and order.
  • Discography of Dreams: From the raw power of “Rock-n-Roll is My Business” to the introspective “Pandemic Summer,” his albums like Electric Souls are not just collections of songs but chapters of his life, each track a testament to his relentless exploration of music’s boundaries.

Dmitry Wild’s music isn’t just heard; it’s experienced. It’s a journey through the soul of rock, a loud, proud declaration of individuality, and an endless exploration of what it means to be human. Welcome to the wild world of Dmitry Wild, where every chord struck is a step into the unknown, and every lyric sung is a piece of his soul laid bare for all to see.

For more on Dmitry Wild, check out his official website for a deeper dive into his music, poetry, and performances.

The Gargantuan, Mythopoeic, and Somewhat Less Apocalyptic Grandiloquent Extravaganza of Martial Engagements, Skirmishes, and, Indeed, the Entire Spectrum of Tabletop Bellicosities; aka The Game Room

Magick a-plenty! (Roll D20.)

“The game was not just a diversion; it was a way of life, a means of survival, and an expression of art. It was, in short, everything.”
~Iain M. Banks, “The Player Of Games”

Enter our compact (small!) yet infinitely intriguing enclave where the very air hums with the electric buzz of adventure and the musty scent of ancient tomes, and a lot of Mountain Dew. This sanctum, no larger than a galleon’s hold yet as vast as the cosmos in its offerings, is a treasure trove where indie artisans and forgotten masters of game-craft converge.

(IT’S OUR GAME ROOM! If you’d like to run a game or ask questions about what games we’re running, check the website in March, or email Jeff!)

Here, beneath the glow of a thousand* brilliant stars**, you’ll find The Codex of Unseen Worlds, games by creators whose names whisper through the annals of both fame and obscurity, each game a spellbinding narrative of worlds never before trodden. Adjacent, The Vault of Lost Lore holds rare classics, their covers worn from the hands of countless past adventurers, games like “The Labyrinth of Time” and “Quest for Glory”, each a portal to epochs long past.

“You could understand the whole universe, but if you didn’t understand games, you understood nothing.”
~Iaian M. Banks (Ibid)

* Two.
** Stars not included.

D.L. Carter: The Sorceress of Storytelling, The Weaver of Worlds

DL Carter!

Magic Approaches.

“It means that of all God’s creatures a cat is at all times himself. When in the presence of a king, mere mortal man must bow and lady, curtsy. A dog, well trained, will grovel and beg. Horses wait patiently in the rain upon his pleasure. But a cat cares but for himself. He will walk into any room and stare you in the eye, be you king or clown and he will hold his own opinion of you. He will turn his back on you if you displease him, stand, sit, or walk away as is his will. And a king will tolerate this from a cat, but from no one else, since to protest would be the veriest waste of time.”
― D.L. Carter, Ridiculous!

Now, we asked ourselves: “Would D.L Carter slay us with a sword for creating a sample bio for her?”

“No,” we decided. “She will slay us with an axe.”

From the untamed wilds of Australia, where she was decanted from an ancient incubation pod (an event so traumatic it caused the local wildlife to demand a recount), D.L. Carter emerged as a force of literary chaos and creativity. With a wit sharp enough to slice through the densest of magical tomes, Carter has carved her name into the annals of fantasy literature with the fervor of a dragon claiming its hoard.

Once upon a time, in a land where coffee is currency and cats rule with an iron paw, D.L. Carter began her epic journey into the realms of the fantastical. Her tales mix the humor of a mischievous imp with the romance of a star-crossed elvish saga, creating a tapestry so vibrant, you’d swear it was woven by the Fates themselves.

Carter’s pen is mightier than a sword, especially when it comes to crafting Regency-era adventures with a twist of magic, or diving into the depths of paranormal romance where the only thing thicker than the plot is the fog of mystery. Her characters are as audacious as they are enchanting, often navigating worlds where the only law is the law of the absurd.

Now residing in New Jersey, in what can only be described as a magical box filled with toys, human companions, and a variable number of feline overlords, D.L. Carter continues to spin tales that are both ridiculous and profound. Her stories are a beacon for those who seek laughter amidst the chaos of alternate realities, where every page turn might just reveal a new layer of madness or a secret so sweet, it could only come from a world where dragons bake the best pies.

So, beware, ye who enter the realm of D.L. Carter’s imagination, for here be dragons, and they’re serving tea!

Gem Radio Theatre

Gm Radop Tjeatre


Here is some website text to describe Gem Radio Theatre, based on the information available:

Gem Radio Theatre

Welcome to Gem Radio Theatre, where the golden age of radio drama comes alive once again!

About Us: Gem Radio Theatre is dedicated to reviving the magic of vintage radio by bringing timeless stories and performances to the stage. We blend the nostalgia of old-time radio with the excitement of live theatre, creating a unique entertainment experience for all ages.

Our Recent Productions:

  • Love from Above, Series: Experience the charm of our fully revived series, including the much-anticipated “Love from Above, Part 2,” which has seen its third reincarnation to complete the beloved narrative.
  • Historical Dramas: Dive into history with shows like “Sybil Luddington, The Female Paul Revere,” which highlights the courage of a lesser-known hero from the American Revolution.

Behind the Scenes:

  • Foley Art: Ever wondered how the sound effects are made? Our foley artists, like Jason, demonstrate the art of creating sounds, such as the famous “creaky door,” live for our audiences.

Stay Connected: Join us in our mission to keep the spirit of radio theatre alive. Check our latest updates and upcoming performances on our Facebook page.

Contact: For more information or to inquire about performances, please visit our page or contact us directly through our social media channels.

The Alchemist’s Son

Robert Secriti

Featuring Robert Secreti as Dr. lothario,

The time traveling bandit! An absolutely unique, unmissable one-man show!

The story of a Steampunked diabolical genius from
the past…

…Who has trapped himself in the endless
paradox of dimensional time travel… aka the
Cromwell!

The Legendary Titan Mal Havock

Mal Havock!

“For wrestling is truly the first lesson in courage and temperance, because one never plots against opponents but, contending with his whole body, it is safe to do harm, but not at all safe for a man to be harmed.”
Plato


Sing, O Muse, of Mal Havoc, the mighty thespian of the squared circle, a bard of the ring and the strings, whose name echoes through the halls of fame like the clash of titans. Born of earth and sky, his lineage traced back to the fierce warriors of old, Mal Havoc is not merely a man but a force, a tempest of talent that swept across the lands of wrestling and music alike.

In the time when heroes roamed and gods whispered in the ears of men, Mal Havoc emerged from the shadows of obscurity, his presence heralded by the roar of crowds and the strumming of his lyre. His journey began in the sacred groves of the wrestling academies, where he learned the ancient arts of combat from masters who had themselves been anointed by the gods of the mat.

His first conquests were in the arenas of the lesser known, where he battled with the ferocity of Ares, his body a canvas painted with the sweat and blood of his adversaries. Each match was an odyssey, a tale of struggle and triumph, where Mal Havoc, with his brutal elegance, would dance the dance of war, his every move a line of poetry in motion.

But Mal Havoc was not content with the laurels of mere wrestling. Like Apollo, he was drawn to the muse of music, his voice becoming a spear that pierced the hearts of listeners, his lyrics the saga of his life’s battles. With each chord, he wove tales of his victories, his defeats, and the eternal quest for glory. His music, a blend of the ancient and the modern, resonated in the taverns and halls, where warriors and poets alike would gather to listen, to feel the pulse of his adventures through his songs.

In the great coliseums where heroes are forged, Mal Havoc’s name was chanted like a sacred hymn. He battled giants and gods of the ring, each encounter adding to his legend. His signature move, the “Havoc Hammer,” was spoken of in whispers, a move so devastating, so poetic in its execution, that it was said to be inspired by Zeus’s own thunderbolt.

Yet, like all great epics, Mal Havoc’s journey was not without its trials. He faced the Hydra of injuries, the labyrinth of personal demons, and the siren call of fame’s fleeting embrace. But with the wisdom of Odysseus, he navigated these perils, his resilience and creativity his most valiant armor.

His life was a tapestry of victories in the ring, where he claimed titles with the might of Hercules, and triumphs on stage, where his songs were sung by bards across the land. He was both a gladiator and a minstrel, a unique figure whose legacy would be sung for generations to come, his story a beacon for those who dare to dream of merging the worlds of might and melody.

Thus, Mal Havoc became not just a name but a mythos, a saga of strength, art, and the eternal human spirit’s quest for greatness. His tale, like the Iliad or the Odyssey, would be recounted in times of peace, in times of war, a testament to the enduring allure of those who live fiercely, love deeply, and leave behind a legacy as vast as the ocean, as enduring as the stars.

The Spellbinder Orchestra Illuminates Our Festival

Spellbinder Orchestra.

The Spellbinder Orchestra is a melodious fit for our xenodochial mult-genre show.

In the thirty years during which we’ve been putting together music festivals, we’ve seldom had a band as euphonically optimized while simultaneously so culturally disparate. ..they also just plain sound amazing.

The Spellbinder Orchestra, based in San Francisco, California, is known for its unique blend of indie folk music with influences from classical, Americana, Eastern European, and swing styles. This ensemble, which can range from a trio to an octet, specializes in vintage music from the 1800s to the 1940s, making it a popular choice for themed events like speakeasy and 1920s parties. Their parent group, Brother Spellbinder, is primarily folk-based, offering a crossover with classical and Americana music. The orchestra includes a variety of instruments like ukulele, guitar, fiddle, cello, percussion, mandolin, harmonica, with both female and male lead vocals.

They have performed at notable venues and events such as the Edwardian Ball, SF Free Folk Fest, and Burning Man Decompression, showcasing their versatility and appeal to diverse audiences. Their music selection includes both covers and originals, tailored to the event’s theme, with past performances earning praise for setting an authentic, engaging atmosphere. The musicians are described as professional, easy to work with, and delivering performances filled with energy and fun, making the Spellbinder Orchestra a cherished part of San Francisco’s eclectic music scene.


The Spellbinder Orchestra has made a notable appearance in New York, particularly within the folk and vintage music circuits. They’ve performed in Woodstock, New York, where they were actively seeking additional musicians to join their ensemble, showcasing their interest in expanding their unique sound to the East Coast. This move reflects their ambition to bring their eclectic mix of folk, Americana, and swing to broader audiences, suggesting they’ve left a mark in New York’s vibrant music scene, much like their influence in San Francisco. Their performances often include improvisation, adding a fresh and dynamic element to their shows, making them memorable in settings that appreciate creative musical expressions.

Spellbinder Orchestra East 


Primarily based in Woodstock, NY now, Alzara plays with cellist Cornelia Logan, a Hudson Valley native, who has played with Mamalama, Earth Opera and Free River band. Core members also include upright bassist, multi-instrumentalist and songwriter Joe Pierog of The Library band and songwriter Chris O’Driscol on acoustic guitar. You may catch rotating violinist Kate Hudson of Big Brother & the Holding casting spells with electric violin. Spellbinder East members are known for their strong vocals and delicious harmonies.

The Business of Cosplay: Tips on how to make money in the Imagination Industry

Alfonso Todd III


The seminar titled “The Business of Cosplay: Tips on how to make money in the Imagination Industry” is presented by Alfonso Todd III of Imagination Nation. Here’s an overview based on available information:

Alfonso Todd III: Alfonso Todd III is the founder and managing partner of Imagine Nation Concepts, showcasing his entrepreneurial spirit and his passion for turning creative hobbies into legitimate businesses. His profile on LinkedIn highlights his role and his eclectic approach, blending street-level creativity with corporate strategy, focusing on community organization without political ambitions. This background makes him particularly suited to discuss the business aspects of cosplay, given his experience in both creative and business environment.

Seminar Overview:

  • Title: “The Business of Cosplay: Tips on how to make money in the Imagination Industry”
  • Focus: This seminar is aimed at providing insights into transforming the passion for cosplay into a profitable venture. It explores various avenues for monetization within the cosplay and broader imagination industry.

Content Highlights:

  • Making Money through Cosplay: The seminar would likely delve into multiple strategies for generating income from cosplay, such as:
    • Selling Cosplay Merchandise: Including costumes, wigs, props, and digital content like tutorials or patterns.
    • Content Creation: Utilizing platforms like YouTube, Twitch, or Patreon for monetizing through ads, sponsorships, and memberships.
    • Event Appearances: Participating in conventions for both performance and selling opportunities, offering custom services or workshops.
    • Brand Partnerships: Engaging with brands for modeling or promotional activities at events.
  • Building a Career: Insights on how to transition from a hobbyist to a professional cosplayer, including:
    • Networking and Community Engagement: Understanding the importance of social media presence, community involvement, and networking at conventions.
    • Skill Development: Tips on enhancing one’s skills in costume creation, performance, and digital marketing to increase marketability.
    • Economic Considerations: Practical advice on managing the costs associated with cosplay while aiming to make it a sustainable income source.
  • Innovative Approaches: Given Todd’s knack for turning hustles into businesses, the seminar might also discuss:
    • Innovative Business Models: Exploring new ways to monetize creativity, perhaps through unique cosplay-related services or products.
    • Using Imagination for Business: How imagination can be leveraged not just for cosplay but for any entrepreneurial venture within the creative industry.

Expected Takeaways: Attendees would leave with a better understanding of how to professionalize their passion for cosplay, learning from Todd’s experience in merging creativity with business acumen. The seminar would likely encourage participants to think outside the conventional cosplay box, pushing for entrepreneurial thinking in the imagination industry.

This seminar would be particularly beneficial for those looking to turn their cosplay hobby into a part-time or full-time career, offering both inspiration and practical steps from someone who has navigated similar paths.

Our Guest of Honor Panel

Our Guest of Honor panel.

“I remember my first convention, and it was terrifying. I walked into this room, and there were all these people, and they were all looking at me. I thought, ‘What am I doing here? I don’t have a script.’ And then I realized, they were there because they loved the show. It was overwhelming, but in a good way.”

~William Shatner

Music. Writing. Art. Swinging pillows at monkeys. These are some of the most classic of human art forms, and our Guests of Honor will come together to talk about their creativity, their struggles, their advice for others, and, really, anything they want; they’re our guests of honor, we can’t exactly tell them what to do.


Buckle up, earthlings, for a cosmic collision of creativity at our Guest of Honor panel! We’ve summoned a motley crew of wizards, bards, and other dimension-hopping artists for a spectacle that’ll make your neurons dance. Prepare for tales that’ll warp your mind, from battling writer’s block with a magic quill to jamming with intergalactic beats. They’ll spill the beans on how to conjure art in an age where AI might just be your next collaborator, or archenemy; who knows?

General Creativity and Inspiration

  1. What are some unusual sources of of inspiration for your works?
  2. How do you overcome creative blocks or periods of low inspiration? Is murder essential, or just a good idea?
  3. Can you describe a moment when you felt your work truly resonated with an audience?

Cross-Genre Exploration

  1. Which genre outside of your primary one would you love to explore or have explored, and why?
  2. Do you use other genres for inspiration or ideas?

Process and Technique

  1. What’s the most challenging aspect of your creative process, and how do you tackle it?
  2. Can you share a technique or tool that has significantly changed how you create?
  3. In your field, what’s one thing you wish you knew when you were starting out?
    • Wisdom for new creators, potentially touching on both successes and mistakes.

Collaboration and Influence

  1. Have you ever collaborated with someone from a different art form? What was that like?
    • Explores the dynamics of inter-disciplinary work and its challenges or benefits.
  2. Who or what has been the biggest influence on your style or approach to your work?

The Future and Adaptation

  1. How do you see your medium evolving in the next decade?
  2. What’s the most exciting project you’re working on currently, or planning for the future?
  3. With the rise of AI and new technologies, how do you see these tools affecting your creative process?

Audience Interaction

  1. What’s the most memorable feedback you’ve received from a fan or critic?
  2. If you could give one piece of advice to someone who wants to follow in your footsteps, what would it be?

Weird Worlds: A Symphony of Abductions, Hauntings, and Tales Beyond Reality

“But art is the distillation of intelligence, the essence of human understanding. It is not a luxury, it is a necessity. Art is the opposite of chaos. Art is the enemy of chaos. It’s what we do to keep from going insane. We create order out of chaos, patterns out of randomness, beauty out of the mundane.”
-Harlan Ellison

Embark on an extraordinary journey where film, music, and literature converge into a celebration of the bizarre. In “Weird Worlds: A Symphony of Abductions, Hauntings, and Tales Beyond Reality,” we invite filmmakers, musicians, and writers to weave together a narrative of the uncanny, exploring:

  • Creative Fusion: How do these artists blend their crafts to create a universe where alien abductions harmonize with ghostly symphonies, and literature paints pictures of the surreal?

Discussion Topics:

  • Storytelling Techniques:
    • How do you visually depict the indescribable in film, or musically score an encounter with the unknown?
    • What narrative devices do writers use to make bizarre fiction resonate with audiences?
  • Interdisciplinary Inspiration:
    • Can the melody of an alien language inspire a new story arc or a film scene?
    • How does the rhythm of prose influence the pacing of a film or the composition of a song?
  • The Weird Experience:
    • What makes a story, song, or film truly “weird”? Is it the setting, the characters, or the twist in the narrative?
    • How do you balance humor, horror, and the surreal to keep an audience engaged?
  • Psychological Impact:
    • How does the weird affect our perception of reality in each medium?
    • What ethical considerations come into play when depicting the otherworldly or the supernatural?
  • Practical Applications:
    • What are some practical tips for creating an atmosphere of the weird in your work?
    • How can sound design in films mimic or enhance the eerie elements of a literary piece?
  • Collaboration and Influence:
    • How have these artists collaborated in the past, and what unique challenges did they face?
    • Can we see examples where music inspired a plot twist, or where a film scene led to a new musical composition?
  • The Role of Audience:
    • How can audience feedback shape the direction of weird art across these mediums?
    • What role does the reader, listener, or viewer play in completing the weird narrative?
  • Workshop Element:
    • A hands-on session where panelists might start with a weird concept, and each adds their layer – a writer with a plot twist, a musician with a theme, and a filmmaker with a visual.

Audience Interaction:

  • An open Q&A where participants can ask about personal experiences with weird art or how to begin their journey in these genres.
  • We may be able to convince some of the performers to create something spontaneous, like a song or a dance or an Omniversal Universal Destructoo-Device. Something cool.

Panelists:

  • A group of artists known for their boundary-pushing work across film, music, and literature, with a history of collaboration or mutual influence.