Wolven Domain within NYC. I have Adopted Lyngvi, the island where wolves live in Norse Mythology as a gathering place for all Wolves and to be a Wolven Domain in (NYC). Yes, Gotham Halo is the domain of NYC , but that is a vampiric domain. When people hear Lyngvi I want them to know wolves reside here in Gotham Halo (NYC) as well.  Yes, Lyngvi is the island where Fenrir was imprisoned, though also where Wolves live and where he breaks free to consume his imprisoned Odin. It now represents a place of power and freedom. It is described as looking like the crater of an extinct volcano in the sea and being covered in White Heather flowers that helps keep Fenris Wolf imprisoned, though now he has broken free it is the Haven of Lyngvi. Fenrir is said to eat the sun during Ragnarök, the end of the world. Which brings Forth Moon Side for Wolves. His and Larnvidia sons Sköll and Hati are said to chase the sun and moon, when caught will bring on Ragnarok. Fenrir being the most powerful wolf only makes sense for us to stick by his side. So we should live where he breaks free and together be unified.  As I am Larnvidia, it is my responsibility to give wolves their own place to come together. There is no better place than Lyngvi.

Larnvidia Muspelhiem (Luna Diosa) I am Larnvidia Muspelheim, Alfa of Ulveskare Muspelheim, and Founder of Lyngvi. I am an Alpha of Wolves and Wolven within Lyngvi (GH/NYC). I have been known as Luna Diosa since I was eight years of age, it followed me all the way to GH when I was twenty two years of age. As I am a new alpha and coming back to NYC I have changed my name and started from scratch to bring you the Wolven community of Lyngvi. I have been in Gotham Halo for nearly five years actively. I have been an active alpha for nearly three of those years. I moved out of state taking a sabbatical and enjoying my time with my fiance and our two kids. We recently came back and I am now an alpha within gotham halo once again. This time being completely released by the one who brought me into the scene, the one who gave me my title as alpha, along with being recognized within GH as having a bloodline. Since then I have an ancient bloodline, the first and only in any domain. My bloodline name is Muspelheim, a glowing, fiery realm that has existed since the beginning of time. Now that I am back in NYC I am taking a very hands-on, direct approach for the betterment of the wolven community. Creating our own domain within (GH/NYC) but still connected to Gotham Halo. We as wolven will have our own packs in Lyngvi. I am also the founder of White Heather, Wolven Haven. My council of wolves is Amsvartnir which is where the lake Lyngvi resides surrounded by white heather flowers.  I spoke about my pack which in the very beginning was made up of three members, my most loyal and supportive pack members who have seen me start, pause, and re-start up again and have not left my side. A great example of a pack and the unity I am bringing through Lyngvi.

Being as it is for wolves inside Gotham is not the best in regards to respect and honor it felt only right to give us our own place to be. I am not poaching, my pack and council is only open to those I see are a good fit. All are welcome into White Heather and all Wolven are welcome into the community Lyngvi. I am being passed a very old hope of bringing wolves their own domain and safe haven within NYC, which I take very seriously. I am opening my pack and Lyngvi to wolves/wolven who desire more out of life for their wolf side. I have teachings and I will mentor you in ways of connecting with your wolf side and guiding you through your journey as much as I can for you to become more successful within your life.

o.

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Dave Lee Madison is an American independent filmmaker, actor, producer, and writer whose passion for cinema has deep roots in his childhood. Born with a love for the art form, Madison was captivated by the original Universal horror films by the age of five, setting the stage for a lifelong devotion to the genre. His first taste of filmmaking came at nine years old when he worked as an extra in Hero at Large (1980), a John Ritter comedy directed by Martin Davidson. This early exposure to the industry fueled his ambition, and throughout his teenage years, he continued to build his resume with roles in Neil Simon’s Brighton Beach Memoirs and James Lemmo’s Heart (1987), starring Brad Davis.

Madison’s career as a filmmaker truly took off with his multifaceted talents as a writer, director, and producer. One of his most recognized works is Mr. Hush (2010), a horror film he wrote, produced, and directed. The movie, which stars Brad Loree (Michael Myers in Halloween: Resurrection), Stephen Geoffreys (Fright Night), and Steve Dash (Jason Voorhees in Friday the 13th Part 2), has become a cult classic among horror fans. Mr. Hush enjoyed a limited U.S. theatrical run in cities like New York, Los Angeles, San Francisco, Atlanta, Dallas, northeastern Pennsylvania, and Pittsburgh. It was released on DVD and Blu-ray on August 7, 2012, and spent six weeks on Redbox’s genre top ten list, a testament to its popularity. In a significant honor, the Academy of Motion Picture Arts and Sciences requested a copy of the Mr. Hush script in 2012 to be preserved in the permanent core collection of the Margaret Herrick Library.

Another standout in Madison’s filmography is Full Moon Fever (2023), a contemporary werewolf film that blends horror, suspense, comedy, and drama. Directed by and starring Madison, the film follows Hunter Dunne, a husband and father whose life unravels after a brutal attack, leading to nightmares, hallucinations, and a horrific confrontation on Halloween night. Critics have noted its atmospheric quality and throwback B-movie style, with a runtime of 75 minutes that makes it a perfect fit for a double feature. The film showcases Madison’s love for practical effects, using no CGI for its werewolf transformations, and features a strong sound design that enhances its eerie Northeastern forest setting. Full Moon Fever has been praised as a personal favorite among Madison’s works by some reviewers, with its availability on Amazon Prime Video likely contributing to his status as an Amazon top ten filmmaker.

Beyond Mr. Hush and Full Moon Fever, Madison has an extensive body of work. In 2015, he released Middle Village, a film that debuted at the historic Cinemart Theater in Queens, New York. Featuring Brian O’Halloran (Clerks), Ray Abruzzo (The Sopranos), Scott Schiaffo (Clerks), and WWE superstar Gene Snisky, the film received overwhelmingly positive reviews and was included on whatchareading.com’s list of the best films of 2015. It also garnered laurels from the Forwardian Film Festival. Another project, Wit’s End, was scheduled for release in 2020, alongside Darkness Waits, a film directed by Libby McDermott in which Madison appeared, notable for featuring Conrad Brooks’ final performance.

Madison’s contributions to the horror genre extend beyond directing. In 2014, he launched a podcast/radio show called The End of the Night, where he interviewed notable figures in the industry, including Corey Feldman, Doug Bradley, David Naughton, Brian O’Halloran, Tiffany Shepis, and Tony Moran, among others, in its first ten episodes. His acting roles have also continued, with appearances in projects like Emerging Past, where he shared a comedic scene with his childhood idol Stephen Geoffreys, and Malevolence 3: Killer (2018), where he played Agent Smith. In 2016, he appeared in Tom Holland’s documentary You’re So Cool Brewster! The Story of Fright Night.

As an independent filmmaker, Madison has carved a niche for himself by blending traditional horror elements with personal, often psychological narratives. His work reflects a deep appreciation for classic horror techniques, as seen in his use of practical effects and his ability to create atmospheric settings on a modest budget. Despite some criticism of his laid-back filmmaking style—such as extended montages that occasionally prioritize mood over narrative momentum—Madison’s dedication to the craft and his ability to connect with genre fans have solidified his reputation. His films’ availability on platforms like Amazon Prime Video, where Full Moon Fever and others have gained traction, has helped him achieve recognition as an Amazon top ten filmmaker, a marker of his success in reaching wide audiences through digital distribution.

Madison’s career is a testament to the perseverance required in independent filmmaking. Balancing creative vision with the constraints of low-budget production, he has built a loyal following and left a lasting impact on the horror and indie film communities. His personal touch—such as casting his daughter Amanda in Full Moon Fever—adds a heartfelt dimension to his work, making him a filmmaker whose passion for the genre resonates both on and off the screen.

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“The most difficult thing is the decision to act, the rest is merely tenacity. The fears are paper tigers. You can do anything you decide to do.”

-Amelia Earheart

Welcome to the clanking, whirring heart* of Project Wonderplace, where Her Mechanical Majesty, Queen Victoria Rex Machina, reigns supreme over a realm of steam and splendor! No mere monarch of history, this Steampunk sovereign has traded her staid coronation robes for a brass-bound corset and a skirt bustling with pistons that hum with every regal step.

(Note: Our actual Queen Victoria is a splendiferous woman, but that is definitely our intern playing with our AI again.)

We have a grand Steampunk Queen Victoria! She’s new to the genre, and thus doesn’t have a lot to say about herself. But we’re really, really excited.

Okay, here’s the AI again:

Born anew in a workshop of wonders, she ascended not just a throne but a towering contraption of polished oak and iron, its arms festooned with gauges that tick like the heartbeat of an empire. Her crown, a marvel of interlocking gears and filigreed copper, spins gently atop her head, powered by a hidden steam coil that trails a faint, fragrant mist of lavender and coal dust.

Once the Empress of a globe-spanning dominion, Victoria now commands a fleet of airships that crisscross the skies, their hulls emblazoned with the Union Jack reimagined in rivets and gold leaf. Her gloved hands, stained with ink and oil, wield a scepter that doubles as a sonic disruptor—perfect for silencing unruly inventors or summoning her loyal court of clockwork corgis, their brass tails wagging in perfect syncopation. Her wardrobe is a symphony of Victorian elegance and mechanical mischief: a velvet bodice laced with glowing filaments, a parasol that unfurls into a shield of spinning blades, and a monocle that projects holographic maps of her fantastical realm.

Widowed not by fate but by a grand experiment gone awry, she mourns her beloved Prince Albert—now immortalized as a sentient automaton who advises her from a crystal-encased cabinet. Yet her spirit remains unbroken, her gaze sharp as a freshly forged blade. She delights in the clatter of workshops, the hiss of steam vents, and the chatter of her subjects—be they human, machine, or a curious hybrid of both. At Project Wonderplace, she hosts grand galas where tea is brewed in copper samovars and dances are powered by crank-wound orchestras. Her Golden Jubilee, celebrated with a cascade of glittering cogs and a flotilla of miniature zeppelins, marks not just her reign but the dawn of an age where history and imagination collide.

With a twinkle in her eye and a wrench tucked into her garter, Queen Victoria Rex Machina invites you to marvel at her world—a steampunk tapestry of pomp, peril, and possibility. Whether she’s tweaking the dials of a time-bending chronometer or leading a parade of steam-powered elephants through the streets, she embodies the spirit of invention and the grandeur of a bygone era, re forged for a future that never was. Bow, tinker, or simply gaze in awe—Her Majesty awaits!

* One of our two, of course.

“I am not afraid of an army of lions led by a sheep; I am afraid of an army of sheep led by a lion.”

~Alexander The Great

Banned from the Pubs

• Description: A highly immersive and interactive show that features games, audience participation, and rabble-rousing cheers! Captain Dante has travelled the world over, and at every port and tavern he visited, there was too much drinking, wenching, gambling, and fighting. Now, banned from the pubs, Captain Dante must resort to doing all his drinking, wenching, gambling, and fighting in public among the fine people attending the faire! Join Captain Dante as he starts a fight with you!

About Matthew Martino

• Background: Matthew Martino has been a performer and producer of immersive and interactive events for nearly a quarter century. He graduated from Fairfield University with a focus on Visual and Performing Arts and has performed all over the country. He launched Savage Grace Entertainment in 2003 to produce stage shows, Halloween events, and theatrical games. Currently, he serves as an Immersive Experience Consultant with Sage Interactive Consulting.

Where Matt Has Performed:

• King Richard’s Faire
• The Arizona Renaissance Festival
• The Carolina Renaissance Festival
• The Sterling Renaissance Festival
• The Colorado Renaissance Festival
• The Robin Hood Faire
• The Kang Arthur Faire
• The Southern Connecticut Renaissance Faire
• The Midsummer Magick Faire
• The Vermont Renaissance Faire
• The Massachusetts Renaissance Faire

Theophanes Avery – Bard, Author, Chaos Sprite

Good morrow, fair visitors to this realm of words! Let me regale thee with tales of Theophanes Avery, a scribe, an adventurer, and a sprite of the fairy kind, whose deeds and writings are as enchanting as a bard’s song at a Renaissance Faire.

The Scribe

Hark, for Avery’s quill hath touched upon many a parchment. Their first tome, “Honoring Echo,” doth capture their journeys across the vast lands of the Lower 48, weaving tales of landscapes and folk with the skill of yore’s minstrels. Each page doth whisper the winds of adventure, painting visions of America through the eye of one who wanders.

Thence, “Milking the Cat” emerged, a collection of mirth and musings upon the creatures great and small that have crossed their path. This book doth tickle the ribs with tales of animal antics, revealing Avery’s keen eye for the humor in nature’s tapestry.

And lo, “Achilles in Heels” dost bring myth to life anew, telling of the famed warrior’s youth with a twist most amusing. Herein lies Avery’s love for folklore, spun with threads of modern wit, making old stories dance to new tunes.

The Adventurer

Avery, with heart and boots well-traveled, doth love the lands of New England, where they seek out mysteries in every corner. Their blog, “Catching Marbles,” is a chronicle of such quests, from the autumnal hunts in Newton’s sacred grounds to the vibrant streets of Provincetown. Each story, a guide for the curious, doth blend the lore of the land with the lore of the soul.

But their adventures do not end with mere travel; nay, they extend into arts of sculpting, doodling with the humble Sharpie, knitting, and even the craft of tattooing upon leather. Their vision for “Through the Looking Glass Farm” speaks of a future where they teach the ways of the earth, husbandry of rare beasts, and the art of living in harmony with nature.

The Fairy Sprite

Methinks, when we speak of Avery as a fairy sprite, we mean one who brings light and magic unto the mundane. Their tales do often touch upon the fantastical, where each day holds a spell or a surprise. Through their writings, they beckon thee to see the world as if through the eyes of a child, where every leaf and stone might hold enchantment.

Avery’s spirit shines even in the shadow of illness, known in modern tongues as being a “spoonie,” showing us all that even in adversity, there is beauty to be found and shared.

In Conclusion

Theophanes Avery be a modern-day bard, a storyteller whose tales are as varied as the stars in the night sky. Through their books and digital scrolls, they invite us to join in adventures, laugh at life’s absurdities, and perhaps, just perhaps, believe in a little magic. Visit their digital keep to delve deeper into this tapestry of tales, where each click might lead to a new quest or a moment of wonder.

Thus, with this tale, we close our scroll, hoping to have enriched thy day with the lore of Theophanes Avery. May ye find joy in the upcoming year!

DJ Ozno has travelled all about this fair country creating music and making heads nod. Now, he comes to us, to bring us music and the Muse!

Surely you deserve a party where the DJ isn’t just spinning records but also spinning through time and space. Your interplanetary time-travelling DJ, DJ Ozno, arrives in a glow of cosmic energy, his playlist an eclectic mix from across millennia and galaxies. Known for his unique blend of musical styles, DJ Ozno, whose real name is Alfonso Todd, brings the vibe with his mastery of mixes and blends. His journey started from the dance floors of South Beach, Miami, to becoming a pivotal figure in the Imagination Industry, where he combines his love for literature and music. At a multi-genre music festival, the pleasures are manifold. Firstly, there’s the sheer delight of discovery as you wander from stage to stage, each one hosting a different era, culture, or planet’s music. You might start your day with the soul-enriching, bass-heavy beats of a jazz fusion band from 22nd-century New Orleans, then find yourself entranced by the sharp, innovative sounds of an AI-composed symphony from Alpha Centauri.

The brilliantly curated music at these festivals serves as a bridge across time, cultures, and even species, providing a sensory journey that educates while it entertains. The transitions between genres are seamless, each set carefully chosen to complement the next, creating a narrative flow that’s as engaging as any epic saga. You’re not just listening; you’re experiencing a tapestry of sound where every thread – be it reggae from the 1970s or electronic beats from a distant future – adds to the richness of the experience.

Moreover, there’s the communal aspect; shared looks of disbelief or joy with strangers as you collectively witness music that transcends conventional boundaries. The festival becomes a microcosm of human (and intergalactic) connection, where the universal language of rhythm and melody unites everyone in a celebration of diversity. Every note, every beat, is a step into another world, making the festival not just an event, but an odyssey of sound.