The Fascinatingly Argumentative Philosopher

Philosopher.


In the grand amphitheater of Wonderplace Alpha, where the minds of the cosmos gather to ponder the imponderable, there dwells the Fascinatingly Argumentative Philosopher, a figure as perplexing as he is enlightening. I shall attempt to dissect this enigma with the precision of a scalpel and the humor of a well-aged amphora of wine. (After enough wine, the amphora tells some hilarious jokes.)

This philosopher, much like those of ancient Athens, does not merely converse; he argues, debates, and challenges every notion with the ferocity of a man defending his last piece of ambrosia. His dialectic, however, is not confined to the dusty scrolls of old but is interwoven with the shimmering threads of quantum thought and the subtle dance of theoretical physics. He is, in essence, a Socratic method wrapped in a cybernetic cloak, questioning the very fabric of reality with the same zest one might reserve for questioning the quality of yesterday’s symposium meal.

His method, one might argue, is to make you feel like you’ve known nothing, much like how I might have made my students feel about the nature of existence – or how Socrates might have made you question your own shadow. This philosopher does not seek answers so much as he seeks to dismantle the questions themselves, leaving you in a delightful state of intellectual vertigo, akin to being on a spinning top in Plato’s cave.

He wanders through Wonderplace Alpha, not with the quietude of a sage but with the clamor of a man who’s just realized he’s forgotten to sacrifice to the gods. He engages with all, from the starry-eyed novice to the grizzled veteran of philosophical debate, each conversation an odyssey into the unknown. His attire, one might whimsically note, seems to be a mishmash of togas and tech-wear, as if he’s caught between attending a symposium and a celestial feast.

His discourse is peppered with humor, the kind that might have made even Diogenes chuckle. “Why ponder the infinite when you can’t even agree on the best way to pluck a lyre?” he might quip, bringing the lofty down to the mundane, only to elevate it back into the realm of the profound. His arguments are like the tales of Aesop, filled with wisdom, yet somehow, you leave both laughing and pondering the moral.

In his presence, one feels the weight of the cosmos and the lightness of human folly. He teaches, in his peculiar way, that to argue is to live, to question is to grow, and to laugh at our own ignorance is to be truly wise. For in Wonderplace Alpha, where everything is possible, the Fascinatingly Argumentative Philosopher reminds us that the pursuit of knowledge is as absurd as it is noble, as futile as it is fulfilling.

So, in the spirit of classical humor, I leave you with this: If life is but a series of arguments, then this philosopher is its most entertaining sophist, ensuring that even in the infinite expanse of space, we never run out of philosophical conundrums to unravel or laugh about.

Dressing For Wonderplace Alpha – A Seminar of Ideas and Assistance

I mean, if you have a suit.

IMPORTANT NOTE: You can wear essentially whatever you’d like! Our seminars of dress and other concepts are here for your assistance and delight. They are only to enhance your experience ~ enjoy them!

We’ve invited Jareth the Goblin King to describe the seminar. He’s not terribly likely to be the one conducting the seminar; but your guides will be lovely, experienced people and/or Goblins.

Welcome, my dear subjects and travelers from realms far and wide, to a most enchanting class at Wonderplace Albion, where I, Jareth, the Goblin King, shall guide you through the art of “Dressing for Wonderplace Albion.”

In this hallowed hall, where magic and fashion intertwine like the vines of the Labyrinth, you shall learn to clothe yourself in the very essence of wonder. We begin, as all great journeys do, at the feet. Here, boots are not mere footwear but a statement of your journey’s intent. Boots laced with silver threads, each step echoing with the chimes of hidden bells, or perhaps a pair of shoes with soles that seem to dance on air, befitting the cobblestone streets of Albion.

Moving upward, we address the trousers or gown, garments that must be as versatile as the paths you’ll tread. For those who dare to wear trousers, I suggest fabrics woven with the threads of twilight, perhaps with pockets that lead to nowhere or everywhere, depending on your whim. Gowns, ah, gowns should flow like the rivers of dreams, with layers that catch the light like the moon’s reflection on water, each layer telling a story of the wearer’s adventures.

The torso, my dear ones, is where armor meets allure. Here, we shall don vests or bodices that are not just for show but for protection against the mundane. Imagine a vest with pockets for your magical trinkets, each buckle and clasp a puzzle piece to your persona. Bodices, for those who choose them, will be corseted with intrigue, adorned with jewels that might just hold the light of distant stars.

Then, we adorn with capes or coats, the final flourish of our attire. A cape can be the wings of your ambition, lined with a pattern of the night sky or the map of Albion itself. Coats, on the other hand, are your armor against the chill of reality; crafted with hidden compartments for maps, potions, or perhaps the key to another dimension.

Headwear, my friends, is not just for keeping the rain off but for crowning your majesty. From the grandest of hats, where feathers might whisper secrets, to a crown that shifts with your mood, each piece is a declaration of your sovereignty in this realm of wonder.

Accessories are the spells you cast upon your appearance. A necklace here might be a vial of captured laughter, a belt buckle could be the face of a goblin ally, and gloves – oh, gloves must be more than mere hand coverings; they are your touch on the world, perhaps even capable of turning doors into portals with a mere gesture.

In this class, you will not only dress but transform, learning to weave the very fabric of your attire with the threads of magic and mischief. We shall delve into the art of illusion, where your clothes might change with your mood or the phase of the moon. Here, at Wonderplace Albion, your attire is your story, your legend, and I, Jareth, will ensure that your legend is one for the ages.

So come, let us embark on this sartorial adventure, where each stitch is a step in the Labyrinth, and every garment you don is a piece of the magic you’ve chosen to live. Remember, in Wonderplace Albion, to dress is to dream, to dare, and to dazzle.

The Jester of Storm and Sense

A jester!

“I was battered and bruised, but the king was amused, and before the siesta, he made me his jester.”
-Danny Kaye, “The Court Jester”

The Jester of Storm and Sense emerges as a central figure, an enigmatic character who dances on the edge of chaos and clarity. Clothed in the traditional motley, with each step accompanied by the tinkling of bells, this jester personifies the essence of medieval revelry, a maestro of merriment whose antics serve both as entertainment and enlightenment.

The Jester of Storm and Sense is a mountebank, a weaver of tales, engaging the crowd with spontaneous acts that blend physical comedy and ridiculous jests. Their performances are a whirlwind of acrobatics, sharp satire, and incisive commentary on the events of the day, keeping everyone from dignitaries to commoners on their toes with their quick wit. Whether in the grandiosity of the royal court, where they dare to mock the vainglorious with their clever tongue, or in the bustling marketplace, where they might host a mock trial or an impromptu magic show, this jester’s presence is both felt and cherished.

Yet, beneath the surface of their japes lies a deeper purpose. The Jester of Storm and Sense embodies the historical role of court jesters, who held the unique privilege to speak truth to power under the guise of humor. Through their performances, they offer not just laughter but lessons in resilience, the art of wordplay, and the importance of questioning the status quo. Their acts are a dance of duality – both revered for their wisdom and ridiculed for their folly, inviting all to momentarily escape the burdens of reality through the timeless magic of laughter.

Genoveva Rossi (next year!)

Genoveva Rossi

 “Genoveva Rossi is one of the best-known cult film stars in the world.”
~Clare Nixon of The Digital Dead (UK)

Genoveva Rossi has carved out a distinctive niche within the horror genre, earning her the revered title of “Scream Queen.” Her appearance at various horror-themed events, conventions, and film projects has not only solidified her status as a cult icon but also highlighted her versatility and deep connection to the horror community.

Rossi’s journey as a scream queen began with her love for horror from a young age, which naturally transitioned into her acting career. Known for her roles in films like “Herschell Gordon Lewis’ Bloodmania,” “Apocalypse Kiss,” and “Death House,” she has portrayed a wide array of characters, ranging from gypsies and witches to fortune tellers and soldiers. These roles showcase her ability to dive into the dark and macabre with authenticity and passion, traits that make her a beloved figure in horror circles. Her deep, sultry voice is often cited as one of her trademark characteristics, adding layers to her performances, whether she’s playing a psychopathic killer or a troubled mother.

Her guest appearances are events in themselves. At conventions like Scare-A-Con or the Birmingham Horror Con, where she has been a guest, Rossi engages with fans through activities that blend her acting prowess with her other talents. She has been known to perform tarot readings, leveraging her professional background as a psychic reader, which adds a unique dimension to her public appearances. Her involvement in such events also includes Edgar Allan Poe readings, further cementing her status as a multifaceted horror enthusiast.

Rossi’s visual style at these events is as captivating as her performances on screen. Often seen with dark, dramatic makeup and costumes that reflect her characters or pay homage to horror classics, she embodies the spirit of horror. Her love for the genre is visibly expressed through her attire, which can range from gothic elegance to outright terrifying, fitting perfectly with the atmosphere of horror conventions. Her interactions with fans are marked by her warm, engaging personality, contrasting yet complementing her on-screen personas

Her contributions extend beyond acting; Rossi is also a writer, contributing to horror magazines like UKHorrorscene.com and The Digital Dead with features titled “A Life in Blood: Tales of a Horror Queen” and “Genoveva Rossi’s Screaming Corner.” These writings give fans an intimate look into her life and the experiences that shape her work, from her adventures in horror to her reflections on the genre’s impact on her life.

Rossi’s presence at any horror event is a testament to her dedication to the genre. She not only entertains but also educates and inspires, often sharing insights into her craft, her love for horror, and her journey from a fan to an icon. Whether she’s discussing her roles, sharing stories from her acting career, or engaging in her other creative pursuits, Genoveva Rossi’s appearances are a celebration of horror’s enduring allure and its community’s passion. Her work continues to influence and inspire a new generation of horror fans and creators, ensuring her legacy as a scream queen will resonate for years to come.

There’s no such thing as Cyberpunk.

Cyberpunk.

So stay alert,
trust no-one,
and keep your laser handy.




(Cyberpunk postulates a far-off future, like the year 2014. Postulate a world where people wear exaggerated corporate suits and ties to imagine being powerful executives at planet-shaking megacorps; hackers lead stainless-steel-rat lives between the cracks of society, dressing like scifi punk rockers because anyone who laughs at them finds their credit card numbers posted to the gigantic billboard which replaced the state of Maine; cyberwarriors are busy, not arguing with people, but fighting very, very deadly bots to get past very real electronic defenses at the ever-present risk of electrocution…)

Granted, we’re a marketplace, so you’re not all THAT likely to need to hide a murder.

Well, not more than, say, two or three murders.

Five or six, tops.